Ancient Stones, Unhenged 2
Title Ancient Stones, Unhenged 2 Medium Mixed media; acrylic paint on gessoed archival matte board, silver wire Size 28 1/4″ x22″
Read MoreAncient Stones, Unhenged 1
Title Ancient Stones, Unhenged 1 Medium Mixed media; acrylic paint on gessoed archival matte board, silver wire Size 25 1/2″ x21 1/4″
Read MoreUp Close to the Stones
I was looking at some photos of my most recent trip to Stonehenge. It was a beautiful, stormy sunrise but I had to view it from a distance and behind barriers. I thought back to my very first trip to Stonehenge. At that time, one could sit on the stones and touch them. It was a very different visit. This painting is a nostalgic look back to that first visit. Title Up Close to the Stones Medium Mixed media; acrylic paint, caran d’ache on hinged paper Size 30″x...
Read MoreGraceful Progression 12
Title Graceful Progression 12 Medium Cyanotype Unique Print on Rives BFK paper Size 30″ x 22″
Read MoreGraceful Progression 11
Title Graceful Progression 11 Medium Cyanotype Unique Print on Rives BFK paper Size 30″x 22″
Read MoreGraceful Progression 10
Title Graceful Progression 10 Medium Cyanotype Unique Print on Rives BFK paper Size 30″ x 22″
Read MoreGraceful Progression 9
Title Graceful Progression 9 Medium Cyanotype Unique Mixed media Print on Winsor Newton Watercolor paper Size 30″ x 22″
Read MoreGraceful Progression 8
Title Graceful Progression 8 Medium Cyanotype Unique Mixed media Print on Winsor Newton Watercolor paper Size 30″ x 22″
Read MoreGraceful Progression 7
Title Graceful Progression 7 Medium Cyanotype Unique Mixed media Print on Winsor Newton Watercolor paper Size 30″ x 22″
Read MoreGraceful Progression 6
Title Graceful Progression 6 Medium Cyanotype Unique Mixed Media Print with colored pencil on Rives BFK Paper Size 30″ x 22″
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About Me
Karen is an award winning graduate of The Pennsylvania Academy of the Fine Arts. Writing and presenting Art tours at the Philadelphia Museum of Art has influenced her art.She has exhibited widely in regional juried exhibitions.
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I interpret the world through my own lens, more or less focused. It is always fiction. I freely add, omit, or edit this reality. This journey is successful when the art work assumes a life of its own.